I have been on another of Clare Melinski's linocutting workshops. It is so intense from 10am, I get so into it, by 3pm I was completely exhausted. A cup of coffee couldn't even pick me up so I'm afraid I wasted the last hour but I am very happy with what I produced today. I love printing on fabric, much more than on paper
These are lovely! I love printing on fabric, too, but I still love paper. oWhat kind of ink did you use? your work is beautiful.
ReplyDeleteThank you so much! The ink is from here in the UK, Lawrence's Linseed Oil Relief Ink. I mixed my colours just like oil paint for the flowers. This is what Clare uses, I have another make. I will let you know how they mix. I struggle to get good prints on good printing paper. What paper do you use?
ReplyDeleteI never use oil based paints, always water based, and I 've used a huge range of printmaking papers, no one favorite, since they all behave differently, even affected by humidity and heat. In the climate of NE USA, this is a big point, we specialize in humidity. Daniel Smith, here in the US has an occasional printmaking paper sale where you can buy a sample pack of dozens of sheets, fullsize, of many printmaking papers. I've never decided which I like best!
ReplyDeleteThe paper I am trying to use this time is Fabriano printing paper. I have been told to spray it and leave over night in a plastic bag. I wish here was a recipe where you use this kind of ink and this kind of paper for a sharp effect and this kind for a more blurred muted effect. Dampen the paper like such and such and leave for x amount of hours! I am an impatient kind of person it seems! I have used Daniel smith watercolours and they are lovely..so maybe that is the way to go
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